In December I visited the Metropolitan Museum of Art in New York City and saw a wonderful display of art and crafts from New Guinea. We'll quote the display card in full for the nearly 50-foot-long dugout canoe shown in the following photos:
"The homeland of the Asmat people of southwest New Guinea consists mainly of densely forested swamps drained by numerous large and small rivers. Canoes are essential to life int he Asmat region, providing the only means of transportation for fishing and food-gathering expeditions, visiting neighboring communities, and, in the past, for embarking on headhunting raids. When paddling the canoes, the paddlers stand erect, skillfully maintaining their balance as they dip the blades in the water
"All large Asmat canoes have carved prows, and those of large communal canoes, such as the present one, are especially ornate, adorned with images of ancestors and headhunting symbols. Nearly fifty feet long and capable of carrying twenty people, this canoe was carved by the master woodcarver Chinasapitch of Per village, assisted by other men. The seated figure on the prow depicts his deceased sister Banditis, while the reclining figure represents a young man who had recently been killed by members of an enemy village."
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| Bow carvings depicting two deceased people from the canoe maker's village |
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| Asmat dugout canoe, from the stern |
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| Another view from the stern. |
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| A photo accompanying the Asmat exhibit canoe shows the vigorous standing paddling method used. (Please excuse the poor quality of this photo-of-a-photo.) |
Below, is an image from Wikipedia's article on the Asmat people, showing the prevalence of dugout canoes in the culture in 1912 or 1913.
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| Asmat men and boys in dugout canoes, 1912 or 1913. (Source: Tropenmuseum, part of the National Museum of World Cultures [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons) |
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